After more than a decade out of public view, Tracey Emin's 1998 Turner Prize-nominated installation anchors her largest retrospective to date, spanning forty years of confessional practice across painting, neon, textile, video and bronze, all circling the same raw, relentless subject: the self as material. The title comes from her 2020 bladder cancer diagnosis and survival, and the show doesn't flinch from what that meant physically: a corridor of iPhone self-portraits documenting her stoma bag faces photographs from before the diagnosis, two lives confronting each other across a single hallway. Curated by Tate Director Maria Balshaw, in partnership with Gucci.
Inspiration by Mark
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